Tomas Rajlich

Czechoslovakian (hist.), 1940

For Tomas Rajlich (b. 1940), the grid is the measure of all things. Rajlich’s starting point is usually a network of horizontal and vertical lines, which he lays down and then covers with loose brushwork. The result – constructed with an exceptional feel for colour, sheen and the substance of his materials – is a painted surface in which texture and structure predominate.

Read full biography (Kunstmuseum, The Hague)

untitled, 1981

untitled, 1981

signed and dated 'T.Rajlich' on the reverse
acrylic and pencil on canvas
130 x 135 cm

Provenance:
Private collection, North Rhine-Westphalia

Artworks

untitled, 1981

untitled, 1981

signed and dated 'T.Rajlich' on the reverse
acrylic and pencil on canvas
130 x 135 cm

Provenance:
Private collection, North Rhine-Westphalia
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untitled, 1982

untitled, 1982

signed and dated lower right
gouache and pencil on paper
49.5 x 49.5 cm
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untitled, 1982

untitled, 1982

signed and dated in pencil lower right
gouache and acrylic on paper
49.5 x 49.5 cm
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Red Grid, 1970

Red Grid, 1970

oil on panel
150 x 120 cm
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